The Kangxi reign revived the enamel arts after the Ming collapse, and this round box shows the restored workshop at ease. A chrysanthemum and a rock share the lid, the flower of autumn set against the stone of permanence.
A box is cloisonne at its most forgiving. Flat lid, short walls, no difficult curves, so the wire can run where the painter’s eye wants. The Kangxi taste is calmer than the busy Wanli look a century before, and the restraint reads as confidence.
Boxes like this held small things, seals, scents, trifles, on a scholar’s table. The chrysanthemum, which blooms as everything else dies, was a quiet boast about endurance.
The Ming made cloisonne a court spectacle. The Kangxi workshop made it a private pleasure, and this lid is the difference in miniature.

Object details
| Name | Kangxi-mark cloisonne ‘Chrysanthemum and Rock’ round box (康熙款掐丝珐琅菊石纹圆盒) |
|---|---|
| Artefact no. | 故00116193 |
| Technique | Cloisonne enamel (掐丝珐琅) |
| Period | Qing dynasty, Kangxi reign (1662-1722) |
| Collection | The Palace Museum, Beijing |
| Source | Palace Museum Digital Collection (数字文物库) |
Image © The Palace Museum. View the original in the Palace Museum collection.

