This zhong (bell) is bronze, the metal of Chinese ritual, cast in piece-moulds so the Qing workshop could repeat a shape the ancestors would recognise. Bronze was read before it was touched.
The surface is the message. Bronze patterns, the taotie mask above all, were meant to be legible to the initiated and uncanny to everyone else.
The Qing imperial workshop treated every material as a field to be mastered, and the Qianlong reign in particular collected the world’s techniques as a record of rule.
A zhong (bell) like this survived because bronze does, and because someone thought the rite worth keeping. The bronze still rings, if you know how to listen.

Object details
| Name | “Yamato·Jia Zhongqing” clock (“大和·夹钟清”钟) |
|---|---|
| Artefact no. | 新00100560 |
| Technique | Bronze |
| Period | Qing dynasty (1644-1911 CE) |
| Collection | The Palace Museum, Beijing |
| Source | Palace Museum Digital Collection (数字文物库) |
Image © The Palace Museum. View the original in the Palace Museum Digital Collection.
