Panjianjian
The object carries bronze, and bronze was never just a material. It was the medium of ceremony, its weight and ring part of the rite itself.
The object carries bronze, and bronze was never just a material. It was the medium of ceremony, its weight and ring part of the rite itself.
This object is bronze, the metal of Chinese ritual, cast in piece-moulds so the Imperial workshop could repeat a shape the ancestors would recognise. Bronz…
Qin Shihuang’s imperial edict Read More »
The pan (water basin) carries bronze, and bronze was never just a material. It was the medium of ceremony, its weight and ring part of the rite itself.
This ge (dagger-axe) is bronze, the metal of Chinese ritual, cast in piece-moulds so the Imperial workshop could repeat a shape the ancestors would recogni…
The mirror carries bronze, and bronze was never just a material. It was the medium of ceremony, its weight and ring part of the rite itself.
Mako’s flying frost mirror Read More »
This hu (pouring vessel) is bronze, the metal of Chinese ritual, cast in piece-moulds so the Imperial workshop could repeat a shape the ancestors would rec…
Inlaid red copper hunting pattern pot Read More »
This gu (beaker) is bronze, the metal of Chinese ritual, cast in piece-moulds so the Imperial workshop could repeat a shape the ancestors would recognise.…
Animal pattern flower cup Read More »
The hanging scroll is ink, and the medium decides the pace. Ink and colour on silk or paper ask to be read slowly, the eye led rather than struck.
Ding Gao, Huang Qin and Hua Yan collaborated on the portrait scroll of Cheng Zhaoxiong Read More »
The gui (food vessel) carries bronze, and bronze was never just a material. It was the medium of ceremony, its weight and ring part of the rite itself.
The hu (pouring vessel) carries bronze, and bronze was never just a material. It was the medium of ceremony, its weight and ring part of the rite itself.
Five-ring lidded kettle with inlaid red copper elephant pattern Read More »