The hanging scroll is ink, and the medium decides the pace. Ink and colour on silk or paper ask to be read slowly, the eye led rather than struck.
The hanging scroll carries the Imperial habit of quotation: old masters borrowed, not copied. The picture is a conversation across centuries, and the ink keeps it polite.
The Imperial court collected pictures as proof of cultivation. A hanging scroll on the wall or in the hand said the owner knew how to look, which was its own kind of power.
The picture is a small school in looking. Sinocra keeps it in view with more from The Palace Museum, and the shop carries the craft forward.
Object details
| Name | Ding Gao, Huang Qin and Hua Yan collaborated on the portrait scroll of Cheng Zhaoxiong (丁皋、黄溱、华喦合作程兆熊像轴) |
|---|---|
| Artefact no. | 新00016634 |
| Technique | Ink |
| Period | Imperial dynasty |
| Collection | The Palace Museum, Beijing |
| Source | Palace Museum Digital Collection (数字文物库) |
Image © The Palace Museum. View the original in the Palace Museum Digital Collection.