This painting is a ink, the Chinese picture made to be unrolled or unpinned a section at a time rather than seen all at once. the Qing painter’s hand that made it assumed a viewer in motion.
The subject is the excuse. What the Qing dynasty (1644-1911 CE) painter sold was a way of looking, disciplined and unhurried.
The Qing imperial workshop treated every material as a field to be mastered, and the Qianlong reign in particular collected the world’s techniques as a record of rule.
A painting like this was made to be handed on, not framed forever. The ink still asks you to slow down, which is the whole point.
Object details
| Name | A single piece of the Qing Dynasty’s painting of Yinzhen’s twelfth month scenery (清人画胤禛十二月景行乐图单片) |
|---|---|
| Artefact no. | 故00006441-10/12 |
| Technique | Ink |
| Period | Qing dynasty (1644-1911 CE) |
| Collection | The Palace Museum, Beijing |
| Source | Palace Museum Digital Collection (数字文物库) |
Image © The Palace Museum. View the original in the Palace Museum Digital Collection.