The object is a study in patience. Jadeite holds a polish no metal keeps, and the Jin workshop used that slow shine to signal rank and restraint at once.
A object in jadeite was never merely pretty. In a culture that called its rulers’ virtue ‘jade-like’, the stone was a standard as much as a material.
The Jin taste for jadeite favoured objects that could be held and turned, read in the palm as much as on the shelf. A object was a private argument about refinement.
Jade is the slowest possible reply to fashion. This object is Sinocra’s reason for keeping the craft in view, with more from The Palace Museum in the shop.
Object details
| Name | Gold and Pearl Jade Ring (金镶珍珠翡翠戒指) |
|---|---|
| Artefact no. | 新00156213 |
| Technique | Jadeite (翡翠) |
| Period | Jin dynasty (1115-1234 CE) |
| Collection | The Palace Museum, Beijing |
| Source | Palace Museum Digital Collection (数字文物库) |
Image © The Palace Museum. View the original in the Palace Museum Digital Collection.