Qianlong style cloisonné enamel pagoda

The object shows cloisonné enamel at its most confident. Wire first, then enamel, then fire, repeated until the surface is calm and the gilding catches the light.

A object in cloisonné enamel was never for use alone. It was a statement about control, of colour, of fire, of a pattern held perfectly still.

The Imperial taste ran to crowded, auspicious objects. A object in cloisonné enamel could carry a wish, a reign mark and a lecture in enamel, all at once.

Enamel is the most patient possible boast. This object is on Sinocra with more from The Palace Museum, and the shop carries the craft forward.

Image © The Palace Museum. View the original in the Palace Museum Digital Collection.