This object is painted enamel, the craft where metal is bent, filled with glass and fired until colour sits flush in a wired cell. the 乾隆 workshop made it a court speciality.
The figures pattern is the argument. Painted enamel builds colour from the inside out, each cell a small field bounded by brass, so the object reads as order made visible.
Enamel ware let the court turn its oldest forms into its newest materials, fire and metal standing in for ink and bronze.
A object like this outlived the fashion that produced it. The painted enamel still glows, which is the only immortality the workshop ever promised.

Object details
| Name | Qianlong period enamel flower vase with Western figures (乾隆款画珐琅西洋人物图花觚) |
|---|---|
| Artefact no. | 故00116821 |
| Technique | Painted enamel (画珐琅) |
| Period | Imperial dynasty, 乾隆 reign (1736-1795) |
| Collection | The Palace Museum, Beijing |
| Source | Palace Museum Digital Collection (数字文物库) |
Image © The Palace Museum. View the original in the Palace Museum Digital Collection.
