The zun shows cloisonné enamel at its most confident. Wire first, then enamel, then fire, repeated until the surface is calm and the gilding catches the light.
A zun in cloisonné enamel was never for use alone. It was a statement about control, of colour, of fire, of a pattern held perfectly still.
The Imperial taste ran to crowded, auspicious objects. A zun in cloisonné enamel could carry a wish, a reign mark and a lecture in enamel, all at once.
Enamel is the most patient possible boast. This zun is on Sinocra with more from The Palace Museum, and the shop carries the craft forward.
Object details
| Name | Cloisonné enamel zun (掐丝珐琅凫尊) |
|---|---|
| Artefact no. | 故00118956 |
| Technique | Cloisonné enamel (掐丝珐琅) |
| Period | Imperial dynasty |
| Collection | The Palace Museum, Beijing |
| Source | Palace Museum Digital Collection (数字文物库) |
Image © The Palace Museum. View the original in the Palace Museum Digital Collection.