景泰 Cloisonné enamel zun
This zun is cloisonné enamel, the craft where metal is bent, filled with glass and fired until colour sits flush in a wired cell. the 景泰 workshop made it a…
景泰 Cloisonné enamel zun Read More »
This zun is cloisonné enamel, the craft where metal is bent, filled with glass and fired until colour sits flush in a wired cell. the 景泰 workshop made it a…
景泰 Cloisonné enamel zun Read More »
The jar shows painted enamel at its most confident. Wire first, then enamel, then fire, repeated until the surface is calm and the gilding catches the ligh…
乾隆 Painted enamel jar Read More »
This plate is cloisonné enamel, the craft where metal is bent, filled with glass and fired until colour sits flush in a wired cell. the 嘉靖 workshop made it…
嘉靖 Cloisonné enamel plate Read More »
The ewer shows painted enamel at its most confident. Wire first, then enamel, then fire, repeated until the surface is calm and the gilding catches the lig…
乾隆 Painted enamel ewer Read More »
This basin is translucent enamel, the craft where metal is bent, filled with glass and fired until colour sits flush in a wired cell. the Ming workshop mad…
Translucent enamel basin Read More »
This object is bronze, the metal of Chinese ritual, cast in piece-moulds so the Imperial workshop could repeat a shape the ancestors would recognise. Bronz…
The zun carries bronze, and bronze was never just a material. It was the medium of ceremony, its weight and ring part of the rite itself.
This ding (tripod cauldron) is bronze, the metal of Chinese ritual, cast in piece-moulds so the Imperial workshop could repeat a shape the ancestors would…
Bronze ding (tripod cauldron) Read More »
The object carries bronze, and bronze was never just a material. It was the medium of ceremony, its weight and ring part of the rite itself.
This object is bronze, the metal of Chinese ritual, cast in piece-moulds so the Imperial workshop could repeat a shape the ancestors would recognise. Bronz…