Imperial vase
This vase belongs to the long argument about Chinese porcelain: a porcelain body, thrown, glazed and fired until the surface turns to glass. the Imperial w…
Ceramics
Imperial cup
The piece is a cup, and Porcelain is the technique that decides how it reads. The pattern is laid before firing, so the colour sits under a clear glaze, pr…
Imperial bowl
This bowl belongs to the long argument about Chinese porcelain: a porcelain body, thrown, glazed and fired until the surface turns to glass. the Cishan cul…
Imperial vase
The piece is a vase, and Porcelain is the technique that decides how it reads. The pattern is laid before firing, so the colour sits under a clear glaze, p…
Imperial object
This object belongs to the long argument about Chinese porcelain: a porcelain body, thrown, glazed and fired until the surface turns to glass. the Cishan c…
Imperial object
The piece is a object, and Porcelain is the technique that decides how it reads. The pattern is laid before firing, so the colour sits under a clear glaze,…
Imperial alms bowl
This alms bowl belongs to the long argument about Chinese porcelain: a porcelain body, thrown, glazed and fired until the surface turns to glass. the Cisha…
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Imperial jar
The piece is a jar, and Porcelain is the technique that decides how it reads. The pattern is laid before firing, so the colour sits under a clear glaze, pr…
Imperial jar
This jar belongs to the long argument about Chinese porcelain: a porcelain body, thrown, glazed and fired until the surface turns to glass. the Cishan cult…
Celadon (qing-glaze) porcelain plate
The piece is a plate, and Celadon (qing-glaze) porcelain is the technique that decides how it reads. The pattern is laid before firing, so the colour sits…
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