Celadon (qing-glaze) porcelain ewer
This ewer belongs to the long argument about Chinese porcelain: a celadon (qing-glaze) porcelain body, thrown, glazed and fired until the surface turns to…
Celadon (qing-glaze) porcelain ewer Read More »
Ceramics
Porcelain vase
The piece is a vase, and Porcelain is the technique that decides how it reads. The pattern is laid before firing, so the colour sits under a clear glaze, p…
Imperial ewer
This ewer belongs to the long argument about Chinese porcelain: a porcelain body, thrown, glazed and fired until the surface turns to glass. the Imperial w…
Imperial ewer
The piece is a ewer, and Porcelain is the technique that decides how it reads. The pattern is laid before firing, so the colour sits under a clear glaze, p…
Imperial ewer
This ewer belongs to the long argument about Chinese porcelain: a porcelain body, thrown, glazed and fired until the surface turns to glass. the Imperial w…
Imperial object
The piece is a object, and Porcelain is the technique that decides how it reads. The pattern is laid before firing, so the colour sits under a clear glaze,…
Imperial jar
This jar belongs to the long argument about Chinese porcelain: a porcelain body, thrown, glazed and fired until the surface turns to glass. the Imperial wo…
Celadon (qing-glaze) porcelain object
The piece is a object, and Celadon (qing-glaze) porcelain is the technique that decides how it reads. The pattern is laid before firing, so the colour sits…
Celadon (qing-glaze) porcelain object Read More »
Imperial jar
This jar belongs to the long argument about Chinese porcelain: a porcelain body, thrown, glazed and fired until the surface turns to glass. the Imperial wo…
Imperial jar
The piece is a jar, and Porcelain is the technique that decides how it reads. The pattern is laid before firing, so the colour sits under a clear glaze, pr…