Imperial jar
This jar belongs to the long argument about Chinese porcelain: a porcelain body, thrown, glazed and fired until the surface turns to glass. the Imperial wo…
This jar belongs to the long argument about Chinese porcelain: a porcelain body, thrown, glazed and fired until the surface turns to glass. the Imperial wo…
The piece is a jar, and Porcelain is the technique that decides how it reads. The pattern is laid before firing, so the colour sits under a clear glaze, pr…
This plate belongs to the long argument about Chinese porcelain: a celadon (qing-glaze) porcelain body, thrown, glazed and fired until the surface turns to…
Celadon (qing-glaze) porcelain plate Read More »
The piece is a object, and Porcelain is the technique that decides how it reads. The pattern is laid before firing, so the colour sits under a clear glaze,…
This object belongs to the long argument about Chinese porcelain: a celadon (qing-glaze) porcelain body, thrown, glazed and fired until the surface turns t…
Celadon (qing-glaze) porcelain object Read More »
This ewer belongs to the long argument about Chinese porcelain: a celadon (qing-glaze) porcelain body, thrown, glazed and fired until the surface turns to…
Celadon (qing-glaze) porcelain ewer Read More »
The piece is a ewer, and Celadon (qing-glaze) porcelain is the technique that decides how it reads. The pattern is laid before firing, so the colour sits u…
Celadon (qing-glaze) porcelain ewer Read More »
This object belongs to the long argument about Chinese porcelain: a porcelain body, thrown, glazed and fired until the surface turns to glass. the Imperial…
The piece is a object, and Porcelain is the technique that decides how it reads. The pattern is laid before firing, so the colour sits under a clear glaze,…
This ewer belongs to the long argument about Chinese porcelain: a porcelain body, thrown, glazed and fired until the surface turns to glass. the Imperial w…