Imperial object
This object belongs to the long argument about Chinese porcelain: a porcelain body, thrown, glazed and fired until the surface turns to glass. the Imperial…
This object belongs to the long argument about Chinese porcelain: a porcelain body, thrown, glazed and fired until the surface turns to glass. the Imperial…
The piece is a object, and Porcelain is the technique that decides how it reads. The pattern is laid before firing, so the colour sits under a clear glaze,…
This jar belongs to the long argument about Chinese porcelain: a celadon (qing-glaze) porcelain body, thrown, glazed and fired until the surface turns to g…
Celadon (qing-glaze) porcelain jar Read More »
The piece is a ewer, and Porcelain is the technique that decides how it reads. The pattern is laid before firing, so the colour sits under a clear glaze, p…
This zun vessel belongs to the long argument about Chinese porcelain: a celadon (qing-glaze) porcelain body, thrown, glazed and fired until the surface tur…
Celadon (qing-glaze) porcelain zun vessel Read More »
The piece is a object, and Porcelain is the technique that decides how it reads. The pattern is laid before firing, so the colour sits under a clear glaze,…
This object belongs to the long argument about Chinese porcelain: a porcelain body, thrown, glazed and fired until the surface turns to glass. the Imperial…
The piece is a ewer, and Celadon (qing-glaze) porcelain is the technique that decides how it reads. The pattern is laid before firing, so the colour sits u…
Celadon (qing-glaze) porcelain ewer Read More »
This object belongs to the long argument about Chinese porcelain: a porcelain body, thrown, glazed and fired until the surface turns to glass. the Imperial…
The piece is a brush washer, and Celadon (qing-glaze) porcelain is the technique that decides how it reads. The pattern is laid before firing, so the colou…
Celadon (qing-glaze) porcelain brush washer Read More »