Imperial vase
This vase belongs to the long argument about Chinese porcelain: a porcelain body, thrown, glazed and fired until the surface turns to glass. the Imperial w…
Imperial cup
The piece is a cup, and Porcelain is the technique that decides how it reads. The pattern is laid before firing, so the colour sits under a clear glaze, pr…
Imperial bowl
This bowl belongs to the long argument about Chinese porcelain: a porcelain body, thrown, glazed and fired until the surface turns to glass. the Cishan cul…
Imperial vase
The piece is a vase, and Porcelain is the technique that decides how it reads. The pattern is laid before firing, so the colour sits under a clear glaze, p…
Imperial object
This object belongs to the long argument about Chinese porcelain: a porcelain body, thrown, glazed and fired until the surface turns to glass. the Cishan c…
Imperial object
The piece is a object, and Porcelain is the technique that decides how it reads. The pattern is laid before firing, so the colour sits under a clear glaze,…
Imperial alms bowl
This alms bowl belongs to the long argument about Chinese porcelain: a porcelain body, thrown, glazed and fired until the surface turns to glass. the Cisha…
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Imperial jar
The piece is a jar, and Porcelain is the technique that decides how it reads. The pattern is laid before firing, so the colour sits under a clear glaze, pr…
Imperial jar
This jar belongs to the long argument about Chinese porcelain: a porcelain body, thrown, glazed and fired until the surface turns to glass. the Cishan cult…
Spring Outing (Zhan Ziqian)
The handscroll is ink, and the medium decides the pace. Ink and colour on silk or paper ask to be read slowly, the eye led rather than struck.
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