Ge Kiln celadon fish ear stove
The piece is a object, and Celadon (qing-glaze) porcelain is the technique that decides how it reads. The pattern is laid before firing, so the colour sits…
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Three-color glaze with flower and bird patterns
This gu beaker belongs to the long argument about Chinese porcelain: a porcelain body, thrown, glazed and fired until the surface turns to glass. the Imper…
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Underglaze red bowl with peony pattern
The piece is a bowl, and Underglaze red porcelain is the technique that decides how it reads. The pattern is laid before firing, so the colour sits under a…
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Black glazed oil drip glazed plate
This plate belongs to the long argument about Chinese porcelain: a porcelain body, thrown, glazed and fired until the surface turns to glass. the Imperial…
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Blue and white seawater white dragon pattern flat kettle
The piece is a ewer, and Blue-and-white porcelain is the technique that decides how it reads. The pattern is laid before firing, so the colour sits under a…
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Imitation stone glaze pen holder
This brush pot belongs to the long argument about Chinese porcelain: a porcelain body, thrown, glazed and fired until the surface turns to glass. the Imper…
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Underglaze red flower butterfly pattern pen holder
The piece is a brush pot, and Underglaze red porcelain is the technique that decides how it reads. The pattern is laid before firing, so the colour sits un…
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Lang kiln skimming bottle
This vase belongs to the long argument about Chinese porcelain: a porcelain body, thrown, glazed and fired until the surface turns to glass. the Imperial w…
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White glazed pearl floor-cut pillow with broken branches and peony pattern
The piece is a pillow, and White-glazed porcelain is the technique that decides how it reads. The pattern is laid before firing, so the colour sits under a…
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Bowl with pastel bamboo pattern on yellow ground
This bowl belongs to the long argument about Chinese porcelain: a famille-rose (fencai) porcelain body, thrown, glazed and fired until the surface turns to…
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