This flower pot belongs to the long argument about Chinese porcelain: a porcelain body, thrown, glazed and fired until the surface turns to glass. the 雍正 workshop that made it treated whiteness and colour as a single problem to be solved in the kiln.
What looks like decoration is also a record. The motif was chosen, not incidental, and on a court vessel a repeat pattern is a way of saying order without using words.
Chinese ceramics carried the weight of a civilisation that measured its courts by what they could fire.
A flower pot like this outlived the hands that made it. It is why a porcelain vessel from the Imperial dynasty, 雍正 reign (1723-1735) still reads as a small piece of statecraft, fired and then forgotten by everyone but the collector.
Object details
| Name | Yongzheng style furnace jun glazed rhombus style three-legged flowerpot holder (雍正款炉钧釉菱花式三足花盆托) |
|---|---|
| Artefact no. | 故00150696 |
| Technique | Porcelain (瓷) |
| Period | Imperial dynasty, 雍正 reign (1723-1735) |
| Collection | The Palace Museum, Beijing |
| Source | Palace Museum Digital Collection (数字文物库) |
Image © The Palace Museum. View the original in the Palace Museum Digital Collection.