Collection of calligraphy and painting collections of fourteen painters in the early Qing Dynasty

This album is a ink, the Chinese picture made to be unrolled or unpinned a section at a time rather than seen all at once. the Qing painter’s hand that made it assumed a viewer in motion.

A handscroll rewards the journey; The subject is the excuse. What the Qing dynasty (1644-1911 CE) painter sold was a way of looking, disciplined and unhurried.

The Qing imperial workshop treated every material as a field to be mastered, and the Qianlong reign in particular collected the world’s techniques as a record of rule.

A album like this was made to be handed on, not framed forever. The ink still asks you to slow down, which is the whole point.

Image © The Palace Museum. View the original in the Palace Museum Digital Collection.