This vase belongs to the long argument about Chinese porcelain: a white-glazed porcelain body, thrown, glazed and fired until the surface turns to glass. the Jingdezhen ware workshop that made it treated whiteness and colour as a single problem to be solved in the kiln.
What looks like decoration is also a record. The plum blossom motif was chosen, not incidental, and on a court vessel a repeat pattern is a way of saying order without using words.
Chinese ceramics carried the weight of a civilisation that measured its courts by what they could fire.
A vase like this outlived the hands that made it. It is why a white-glazed porcelain vessel from the Jingdezhen ware dynasty (Ming to Qing) still reads as a small piece of statecraft, fired and then forgotten by everyone but the collector.
Object details
| Name | Jingdezhen kiln blue and white glaze carved plum vase (景德镇窑青白釉刻花梅瓶) |
|---|---|
| Artefact no. | 故00145492 |
| Technique | White-glazed porcelain (白釉) |
| Period | Jingdezhen ware dynasty (Ming to Qing) |
| Collection | The Palace Museum, Beijing |
| Source | Palace Museum Digital Collection (数字文物库) |
Image © The Palace Museum. View the original in the Palace Museum Digital Collection.