This vase belongs to the long argument about Chinese porcelain: a wucai (five-colour) porcelain body, thrown, glazed and fired until the surface turns to glass. the Imperial workshop that made it treated whiteness and colour as a single problem to be solved in the kiln.
What looks like decoration is also a record. The peony motif was chosen, not incidental, and on a court vessel a repeat pattern is a way of saying order without using words.
Chinese ceramics carried the weight of a civilisation that measured its courts by what they could fire.
A vase like this outlived the hands that made it. It is why a wucai (five-colour) porcelain vessel from the Imperial dynasty still reads as a small piece of statecraft, fired and then forgotten by everyone but the collector.
Object details
| Name | Colorful pheasant and peony vase (五彩雉鸡牡丹图瓶) |
|---|---|
| Artefact no. | 故00148247 |
| Technique | Wucai (five-colour) porcelain (五彩) |
| Period | Imperial dynasty |
| Collection | The Palace Museum, Beijing |
| Source | Palace Museum Digital Collection (数字文物库) |
Image © The Palace Museum. View the original in the Palace Museum Digital Collection.