The pendant is a study in patience. Openwork-carved jade holds a polish no metal keeps, and the Imperial workshop used that slow shine to signal rank and restraint at once.
A pendant in openwork-carved jade was never merely pretty. In a culture that called its rulers’ virtue ‘jade-like’, the stone was a standard as much as a material.
The Imperial taste for openwork-carved jade favoured objects that could be held and turned, read in the palm as much as on the shelf. A pendant was a private argument about refinement.
Jade is the slowest possible reply to fashion. This pendant is Sinocra’s reason for keeping the craft in view, with more from The Palace Museum in the shop.
Object details
| Name | Jade carved double dragon head pendant (玉镂雕双龙首佩) |
|---|---|
| Artefact no. | 新00201489 |
| Technique | Openwork-carved jade (镂雕) |
| Period | Imperial dynasty |
| Collection | The Palace Museum, Beijing |
| Source | Palace Museum Digital Collection (数字文物库) |
Image © The Palace Museum. View the original in the Palace Museum Digital Collection.